Though many remember only their 1967 hit "Happy Together," the Turtles were one of the more enjoyable American pop groups of the 1960s, moving from folk-rock inspired by the Byrds to a sparkling fusion of Zombies-inspired chamber-pop and straight-ahead good-time pop reminiscent of the Lovin' Spoonful, the whole infused with beautiful vocal harmonies courtesy of dual frontmen Howard Kaylan and Mark Volman. Though they hit number one in 1967 with the infectious "Happy Together," the Turtles scored only three more Top Ten hits and broke up by the end of the '60s. Kaylan and Volman later joined Frank Zappa's Mothers of Invention during the early '70s and also recorded themselves as Flo & Eddie, but were on the oldies circuit with a revamped Turtles by the mid-'80s.
The group got its big break in 1965 after local disc jockey and club owner Reb Foster became their manager and found the group a contract with White Whale Records. The sextet changed their name from the Crossfires to the Tyrtles (an unveiled homage to the Byrds, soon amended to the correct spelling) and recorded a Bob Dylan cover as their first single. The song's fusion of folk with glittering rock & roll was also lifted from the Byrds, and "It Ain't Me Babe" reached the Top Ten in August 1965, just three months after "Mr. Tambourine Man" had hit number one.
Moving from the songwriting talents of Dylan to the new "king of protest," producer P.F. Sloan, the Turtles hit the Top 40 twice more during 1965-66 with "Let Me Be" and "You Baby". Though the Turtles had appeared to run out of steam by the beginning of 1967, the group stormed back with a song they'd heard in a batch of demos, a surefire hit written by Gary Bonner and Alan Gordon. "Happy Together" spent three weeks at number one on the American charts, and proved to be one of the biggest hits of the year.
The Turtles' next three singles each hit the Top 20: the number three hit "She'd Rather Be with Me" (which eclipsed even "Happy Together" in terms of international success), plus "You Know What I Mean" and "She's My Girl." Chip Douglas, who had arranged the horns on "Happy Together," left the group to work with the Monkees, and was replaced by Jim Pons (formerly with the Leaves). Original member Jim Tucker left the group as well, after a tour of dingy pubs in England caused more than a bit of disillusionment about the group's lack of success.
Like so many other pop groups in the late '60s, the Turtles felt they had to stretch artistically to keep pace with their more critically respected rivals. The group asserted their rights in late 1967, and self-produced the disappointing "Sound Asleep," which was the band's first single after "Happy Together" to miss the Top 40. The only other hit from the group was the career-saving "Elenore" in September 1968, which hit number six (the best placing by a single actually written by the Turtles).
By the end of 1970, Kaylan, Volman and Pons had joined Frank Zappa's early-'70s edition of the Mothers of Invention. (The use of the Turtles' name or even their own names in a musical context was illegal according to an earlier contract, so Kaylan and Volman appeared as the Phlorescent Leech & Eddie.) Besides touring with Zappa, the trio appeared on four of his albums from 1970 to 1972: Chunga's Revenge, 200 Motels, Live at the Fillmore and Just Another Band from L.A. After Zappa was injured in an onstage altercation, though, the re-christened Flo & Eddie toured with several of the Mothers for awhile, and recorded five LPs for themselves between 1975 and 1981. The duo also did session work, composed music for childrens' movies (The Care Bears, Strawberry Shortcake) and broadcast their own radio show on L.A.'s KROQ and later New York's WXRK. By 1984, the Turtles' name had reverted back to the group, and Volman and Kaylan began touring with a new lineup as the Turtles...Featuring Flo & Eddie. Find out more about them at http://www.theturtles.com/
Research info gathered at: www.allmusic.com
Visit my ezine: http://www.concelebratory.blogspot.com/
and personal blog: http://www.copyat5.blogspot.com/
The group got its big break in 1965 after local disc jockey and club owner Reb Foster became their manager and found the group a contract with White Whale Records. The sextet changed their name from the Crossfires to the Tyrtles (an unveiled homage to the Byrds, soon amended to the correct spelling) and recorded a Bob Dylan cover as their first single. The song's fusion of folk with glittering rock & roll was also lifted from the Byrds, and "It Ain't Me Babe" reached the Top Ten in August 1965, just three months after "Mr. Tambourine Man" had hit number one.
Moving from the songwriting talents of Dylan to the new "king of protest," producer P.F. Sloan, the Turtles hit the Top 40 twice more during 1965-66 with "Let Me Be" and "You Baby". Though the Turtles had appeared to run out of steam by the beginning of 1967, the group stormed back with a song they'd heard in a batch of demos, a surefire hit written by Gary Bonner and Alan Gordon. "Happy Together" spent three weeks at number one on the American charts, and proved to be one of the biggest hits of the year.
The Turtles' next three singles each hit the Top 20: the number three hit "She'd Rather Be with Me" (which eclipsed even "Happy Together" in terms of international success), plus "You Know What I Mean" and "She's My Girl." Chip Douglas, who had arranged the horns on "Happy Together," left the group to work with the Monkees, and was replaced by Jim Pons (formerly with the Leaves). Original member Jim Tucker left the group as well, after a tour of dingy pubs in England caused more than a bit of disillusionment about the group's lack of success.
Like so many other pop groups in the late '60s, the Turtles felt they had to stretch artistically to keep pace with their more critically respected rivals. The group asserted their rights in late 1967, and self-produced the disappointing "Sound Asleep," which was the band's first single after "Happy Together" to miss the Top 40. The only other hit from the group was the career-saving "Elenore" in September 1968, which hit number six (the best placing by a single actually written by the Turtles).
By the end of 1970, Kaylan, Volman and Pons had joined Frank Zappa's early-'70s edition of the Mothers of Invention. (The use of the Turtles' name or even their own names in a musical context was illegal according to an earlier contract, so Kaylan and Volman appeared as the Phlorescent Leech & Eddie.) Besides touring with Zappa, the trio appeared on four of his albums from 1970 to 1972: Chunga's Revenge, 200 Motels, Live at the Fillmore and Just Another Band from L.A. After Zappa was injured in an onstage altercation, though, the re-christened Flo & Eddie toured with several of the Mothers for awhile, and recorded five LPs for themselves between 1975 and 1981. The duo also did session work, composed music for childrens' movies (The Care Bears, Strawberry Shortcake) and broadcast their own radio show on L.A.'s KROQ and later New York's WXRK. By 1984, the Turtles' name had reverted back to the group, and Volman and Kaylan began touring with a new lineup as the Turtles...Featuring Flo & Eddie. Find out more about them at http://www.theturtles.com/
Research info gathered at: www.allmusic.com
Visit my ezine: http://www.concelebratory.blogspot.com/
and personal blog: http://www.copyat5.blogspot.com/
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