Tuesday, April 29, 2008

Marianne Faithful


Marianne Faithfull (born 29th December 1946) is an English singer-songwriter and actress whose career spans more than four decades. She was born in Hampstead, London, to a military officer father, Major Glynn Faithfull, and the Baroness Eva Erisso, a Viennese noblewoman of half Jewish and half noble Austrian descent, coming from the Habsburg dynasty.

Coaxed into a singing career by Rolling Stones manager Andrew Loog Oldham in 1964, she had a big hit in both Britain and the U.S. with her debut single, the Jagger/Richards composition "As Tears Go By" (which prefaced the Stones' own version by a full year). Considerably more successful in her native land than the States, she had a series of hits in the mid-'60s that set her high, fragile voice against delicate orchestral pop arrangements: "Summer Night," "This Little Bird," and Jackie De Shannon's "Come and Stay with Me." Not a songwriter at the outset of her career, she owes more of her fame as a '60s icon to her extraordinary beauty and her long-running romance with Mick Jagger, although she offered a taste of things to come with her compelling 1969 single "Sister Morphine," which she co-wrote (and which the Stones released themselves on Sticky Fingers later).

In the '70s, she split up with Jagger, developed a serious drug habit, and recorded rarely, with generally dismal results. This occurred until late 1979, when she pulled off an astonishing comeback with Broken English. Displaying a croaking, cutting voice that had lowered a good octave since the mid-'60s, she had also begun to write much of her own material, and addressed sex and despair with wrenching realism.

Faithfull's recordings in the '80s and '90s were sporadic and erratic, but generally quite interesting; Strange Weather, a Hal Willner-produced 1987 collection of standards and contemporary compositions that spanned several decades for its sources, was her greatest triumph of the decade. In 1994, she published her self-titled autobiography; the biography As Tears Go By by Mark Hodkinson is an objective and thorough account of her life and times.

She returned to recording in 2002 with Kissin' Time, an eclectic collection of songwriting collaborations with Beck, Damon Albarn, Billy Corgan, Jon Brion, and Jarvis Cocker among others. In 2004, Before the Poison was released in the U.K., making its entrance into the U.S. market in early 2005. This album continued in the vein of its predecessor, with songwriting and production contributions from PJ Harvey, Nick Cave & the Bad Seeds, Brion, and Albarn, but with far more consistent results.

She has also made a modestly successful foray into an acting career and has given notable performances in the 1967 film I’ll Never Forget What’s ‘Is Name alongside Orson Welles, as a leather-clad motorcyclist in the 1968 French film Girl on a Motorcycle opposite Alain Delon, and in the 1969 Kenneth Anger cult film Lucifer Rising. In 1969, she played Ophelia in the Nicol Williamson adaptation of Hamlet. In 1993 she played the role of Pirate Jenny in The Threepenny Opera at the Gate Theatre in Dublin. Later she performed The Seven Deadly Sins with the Vienna Radio Symphony. She has made brief guest star appearances in the British sitcom Absolutely Fabulous (as God), in Patrice Chéreau’s Intimacy (2001 film), and played Empress Maria-Teresa in Sofia Coppola’s biopic Marie-Antoinette, starring Kirsten Dunst in the title role. Find out more about this breast cancer survivor at her official website http://www.mariannefaithful.org.uk/

Research info gathered at: www.allmusic.com


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Sunday, April 27, 2008

The Fifth Dimension


The Fifth Dimension were best-known during the late 1960s and early 1970s for popularizing the hits "Up, Up and Away" and "Aquarius/Let the Sunshine In" is an American popular music vocal group, whose repertoire also includes R&B, soul, and jazz.

The five original members were Billy Davis, Jr., Florence LaRue, Marilyn McCoo, Lamonte McLemore, and Ron Townson. They have recorded for several different labels over their long career. Their first work appeared on the Soul City label, which was started by Imperial Records/United Artists Records recording artist Johnny Rivers.

The members began rehearsing in early 1966 and took the name of the Versatiles. They auditioned for Marc Gordon, who headed Motown's Los Angeles office. Although their demo tape was rejected by Motown, he agreed to manage them and brought them to the attention of Johnny Rivers, who had just started his own label, Soul City Records. Their first Soul City single, "I'll Be Lovin' You Forever", was a flop, but a cover of the Mamas and the Papas' "Go Where You Wanna Go" climbed into the top 20 on both R & B and pop stations.

Budding young songwriter Jimmy Webb supplied the group with their breakthrough hit, "Up, Up and Away", a top 10 hit in mid-1967, which won five Grammy Awards. The following year, the group scored major hit singles with Laura Nyro's "Stoned Soul Picnic" and "Sweet Blindness" and received a gold record for their album Stoned Soul Picnic, which also included the Ashford & Simpson written "California Soul". In 1969, they had two number one singles: "Aquarius/Let the Sunshine In" from the musical Hair and the Nyro composition "Wedding Bell Blues." Later hits included "One Less Bell to Answer" (1970), "Love's Lines, Angles and Rhymes", "Never My Love" (1971) and "(Last Night) I Didn't Get to Sleep at All" (1972).

In 1975, McCoo and Davis, who became husband and wife while with the group, left the group to do both collective and individual projects. The remaining trio carried on with new members, and nearly had a hit in 1976 with the LaRue-sung "Love Hangover"; unfortunately, Motown issued Diana Ross' own version shortly after the Fifth Dimension's hit the charts, and hers soared to the top of the charts. Strangely enough, the group signed with Motown not long after, releasing two albums in 1978. The original quintet reunited in 1990 for a tour. The group was inducted into the Vocal Group Hall of Fame in 2002. Find out more about them at: www.vocalgroup.org/inductees/fifth_dimension.html

Research info gathered at: www.wikipedia.org


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Tuesday, April 22, 2008

Buffalo Springfield


Apart from the Byrds, no other American band had as great an impact on folk-rock and country-rock — really, the entire Californian rock sound — than Buffalo Springfield. The group's formation is the stuff of legend: driving on Sunset Boulevard in Los Angeles, Stephen Stills and Richie Furay spotted a hearse that Stills was sure belonged to Neil Young, a Canadian he had crossed paths with earlier. Indeed it was, and with the addition of fellow hearse passenger and Canadian Bruce Palmer on bass and ex-Dillard Dewey Martin on drums, the cluster of ex-folkys determined, as the Byrds had just done, to become a rock & roll band.

Buffalo Springfield wasn't together long — they were an active outfit for just over two years, between 1967 and 1968 —but every one of their three albums was noteworthy. Their debut, including their sole big hit (Stills' "For What It's Worth"), established them as the best folk-rock band in the land barring the Byrds, though Springfield was a bit more folk and country oriented. Again, their second album found the group expanding their folk-rock base into tough hard rock and psychedelic orchestration, resulting in their best record.

The group was blessed with three idiosyncratic, talented songwriters in Stills, Young, and Furay (the last of whom didn't begin writing until the second LP) yet they also had strong and often conflicting egos, particularly Stills and Young. The group, who held almost infinite promise, rearranged their lineup several times, Young leaving the group for periods and Palmer fighting deportation, until disbanding in 1968. Their final album clearly shows the group fragmenting into solo directions.

Eventually, the inter-personal tensions and creative battles led to a perhaps inevitable split, starting with Young's departure for a solo career. He would later reunite with Stephen Stills in Crosby, Stills, & Nash, joining the trio once a decade for various projects. In addition to CSN, Stills released solo albums and worked with a nother band, Manassas. Initially, Jim Messina and Richie Furay stayed together, forming the country-rock group Poco, but Messina left after three albums to team up in a duo with Kenny Loggins. Furay himself left Poco and teamed with Chris Hillman and JD Souther in the Souther Hillman Furay Band before pursuing a solo career. Rumors of a Buffalo Springfield reunion circulated for years — Young even hinted at it with the song "Buffalo Springfield Again" — but it never materialized. Find out more about this great if short lived band at: www.thrashwheat.org/tfa/bufspring.htm

Research info gathered at: www.allmusic.com


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Friday, April 18, 2008

Edwin Hawkins


Edwin Hawkins (born 18 August 1943, Oakland, California) is a Grammy Award-winning American gospel and R&B musician, pianist, choir leader, composer and arranger. He is one of the originators of the urban contemporary gospel sound. He (and the Edwin Hawkins Singers) are best known for his arrangement of "Oh Happy Day" (1968-69), which was included on the Songs of the Century list. "Oh Happy Day" was covered by The Four Seasons on their 1970 album Half & Half. The Edwin Hawkins Singers are somewhat less well-known for backing Melanie on the song, "Lay Down (Candles in the Rain)".

At the age of seven Hawkins was already the keyboardist to accompany the family's gospel choir. Together with Betty Watson he was the co-founder of the Northern California State Youth Choir, which included almost 50 members. This ensemble recorded its first album in 1968, Let Us Go into the House of the Lord, which was a flop. When radio stations of the San Francisco Bay area started broadcasting a song from the album, "Oh Happy Day", it became very popular. Featuring the lead vocal of Dorothy Coombs Morrison, the subsequently released single rocketed to sales of over a million copies within two months. It crossed over to the pop charts making U.S. #4 and UK #2 in 1969.

In 1996, Edwin, always searching for fresh, new ways to promote the music he loves, teamed up with “Svart Pa Vitt”, an all-Swedish Gospel choir, on a ten-city U.S. tour to promote the album they released in late ‘95. Later on that year, he was part of “An Evening With The Boston Pops” a wonderful hour-long television special, shown on PBS, that also featured Patti LaBelle and Desiree Coleman Jackson.

Since 1996, the Godfather of Contemporary Gospel has remained quite busy. Edwin has recently completed his latest album entitled “Love Is The Only Way”. The project, which is Edwin’s first solo album since 1989, includes a new version of his classic hit “Oh Happy Day”. The project also includes guest appearances by Dita Jackson, Brenda Roy, cousin, Lawrence Matthews, brother, Walter Hawkins and sister, Lynette Hawkins-Stephens. In addition, Edwin continues to not only perform abroad, but organize and host his successful Music and Arts Seminar.

The song became an international success, selling more than 7 million copies, and Hawkins was awarded his first Grammy for it. Altogether he has won four Grammy Awards. Find out more about his music at: http://www.edwinhawkins.tv/

Research info gathered at: www.wikipedia.org


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Wednesday, April 16, 2008

Melanie


Melanie Ann Safka-Schekeryk (known professionally as Melanie) is an American singer-songwriter. Born on February 3rd, 1947, in Astoria, New York City, Melanie made her first recording, “Gimme a Little Kiss”, when she was five.

She first found chart success in Europe. Her 1969 song “Bobo’s Party” reached number one in France. Later that year she had a hit in the Netherlands with “Beautiful People” before performing at Woodstock. Apparently, she was inspired to write “Lay Down (Candles in the Rain)” by the audience lighting candles during her set; the song became a hit in both Europe and the USA. Her biggest hit in the USA was “Brand New Key”, also known as “The Roller Skate Song”. She has been awarded three gold albums.

Three of Melanie’s compositions were hits for The New Seekers: “Look What They’ve Done to My Song Ma”, “Beautiful People”, and “The Nickel Song”.

Since 1969 Melanie has released almost one album a year. With one exception her albums have been produced by her husband, Peter Schekeryk. Her three children - Leilah, Jeordie and Beau-Jarred -are also musicians. Beau-Jarred is a guitarist and accompanies his mother on tour.The 2003 Australian hip-hop track “The Nosebleed Section” by The Hilltop Hoods sampled Melanie’s “People in the Front Row”.

In 2004 Melanie released Paled by Dimmer Light, which is co-produced by Peter and Beau-Jarred Schekeryk. Find out more aobut this folk legend at http://www.melaniesmusic.com/

Reserch info gathered at: www.lastfm.com


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Saturday, April 12, 2008

Esther Phillips


Esther Phillips was born Esther Mae Jones in Galveston, TX, on December 23, 1935, and began singing in church as a young child. When her parents divorced, she split time between her father in Houston and her mother in the Watts area of Los Angeles. It was while she was living in Los Angeles in 1949 that her sister entered her in a talent show at a nightclub belonging to bluesman Johnny Otis. So impressed was Otis with the 13-year-old that he brought her into the studio for a recording session with Modern Records and added her to his live revue. Billed as Little Esther, she scored her first success when she was teamed with the vocal quartet the Robins (who later evolved into the Coasters) on the Savoy single "Double Crossin' Blues." It was a massive hit, topping the R&B charts in early 1950 and paving the way for a series of successful singles bearing Little Esther's name: "Mistrustin' Blues," "Misery," "Cupid Boogie," and "Deceivin' Blues." In 1951, Little Esther moved from Savoy to Federal after a dispute over royalties, but despite being the brightest female star in Otis' revue, she was unable to duplicate her impressive string of hits. Furthermore, she and Otis had a falling out, reportedly over money, which led to her departure from his show; she remained with Federal for a time, then moved to Decca in 1953, again with little success.

In 1954, she returned to Houston to live with her father, having already developed a fondness for the temptations of life on the road; by the late '50s, her experiments with hard drugs had developed into a definite addiction to heroin. Short on money, Little Esther worked in small nightclubs around the South, punctuated by periodic hospital stays in Lexington, KY, stemming from her addiction. In 1962, she was rediscovered while singing at a Houston club by future country star Kenny Rogers, who got her signed to his brother's Lenox label. Too old to be called Little Esther, she re-christened herself Esther Phillips, choosing her last name from a nearby Phillips gas station. Phillips recorded a country-soul reading of the soon-to-be standard "Release Me," which was released as a single late in the year, topping the R&B charts and hitting the Top Ten on both the pop and country charts. Back in the public eye, Phillips recorded a country-soul album of the same name, but Lenox went bankrupt in 1963.

Thanks to her recent success, Phillips was able to catch on with R&B giant Atlantic, which initially recorded her in a variety of musical settings to see what niche she might fill best, recording Phillips in as many different styles as possible, but none of the resulting singles really caught on and the label dropped her in late 1967.

With her addiction worsening, Phillips checked into a rehab facility; while undergoing treatment, she cut some sides for Roulette in 1969 and upon her release, she moved to Los Angeles and re-signed with Atlantic. In 1971, she signed with producer Creed Taylor's Kudu label, a subsidiary of his hugely successful jazz fusion imprint CTI. In 1975, she scored her biggest hit single since "Release Me" with a disco-fied update of Dinah Washington's "What a Diff'rence a Day Makes" (Top Ten R&B, Top 20 pop), and the accompanying album of the same name became her biggest seller yet.

In 1977, Phillips left Kudu for Mercury, landing a deal that promised her the greatest creative control of her career. She recorded four albums for the label, but none matched the commercial success of her Kudu output and after 1981's A Good Black Is Hard to Crack, she found herself without a record deal. Her last R&B chart single was 1983's "Turn Me Out," a one-off for the small Winning label; unfortunately, her health soon began to fail, the culmination of her previous years of addiction combined with a more recent flirtation with the bottle. Phillips died in Los Angeles on August 7, 1984, of liver and kidney failure. Find out more abut a great voice and a tragic life at: http://home.earthlink.net/~jaymar4/Lesther.html

Research info gathered at: www.allmusic.com


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Wednesday, April 9, 2008

Glen Campbell


Glen Campbell (April 22, 1936 in Delight, Arkansas) is an American pop-country singer, best known for a series of hits in the 1960s and 1970s, as well as for hosting a TV variety show.

Campbell was greatly in demand as a session musician in the 1960s. He is heard on some of the largest-selling records of the era by such artists as Bobby Darin, Ricky Nelson, Merle Haggard, The Monkees, Elvis Presley, Frank Sinatra, Dean Martin, The Association, and The Mamas & the Papas.

He was a full-fledged member of The Beach Boys, filling in for an ailing Brian Wilson on tour in 1964 and 1965 and he also played on the Pet Sounds album. Glen’s accolades as a musician and singer are as impressive as his talent. He made history by winning a Grammy in both country and pop categories in 1967: “Gentle On My Mind” snatched the country honors, and “By The Time I Get To Phoenix” won in pop. He owns trophies for Male Vocalist of the Year from both the CMA and the ACM, and took the CMA’s top honor as Entertainer of the Year.

During his 40 years in show business, Glen has released more than 70 albums. He has sold 45 million records and racked up 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. Of his 75 trips up the charts,27 landed in the Top 10.

In 2005, Campbell was inducted into the Country Music Hall of Fame. He is reportedly working on a new CD with Jimmy Webb scheduled for release in late 2006. Find out more about this country-cross-over legend at his website: http://www.glenncampbellshow.com/

Research info gathered at: www.last.fm


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Sunday, April 6, 2008

Jimmy Cliff


Jimmy Cliff OM (born James Chambers, 1 April 1948, St Catherine, Jamaica)is a Jamaican reggae musician, best known among mainstream audiences for songs like “Sittin’ in Limbo”, “You Can Get It If You Really Want It” and “Many Rivers to Cross” from The Harder They Come, a film soundtrack which helped popularise reggae across the world.

Cliff moved to Kingston in 1962.After two singles that failed to make much impression, his career took off after his “Hurricane Hattie” became a hit, while he was aged just 14; it was produced by Leslie Kong, with whom Cliff would remain until Kong’s death. Later his local hit singles included “King of Kings”, “Dearest Beverley” and “Pride and Passion”. In 1964, Cliff was chosen as one of the Jamaican representatives at the World’s Fair, and Cliff soon signed to Island Records and moved to Britain. His international debut album was Hard Road to Travel, which received excellent reviews and included “Waterfall”, a Brazilian hit that won the International Song Festival.

“Waterfall” was followed in 1969 by “Wonderful World, Beautiful People” and “Vietnam” in 1970, both popular throughout most of the world. Folk rock singer-songwriter Bob Dylan even called “Vietnam” the best protest song he’d ever heard. Wonderful World included a cover of Cat Stevens’ “Wild World”, which was a success in 1970.

Leslie Kong died of a heart attack in 1971. The soundtrack to the reggae film The Harder They Come was a huge success that sold well across the world, but did not break Cliff into the mainstream. After a series of albums, Cliff took a break and traveled to Africa, exploring his newfound Muslim spirituality. During the 1981 River Tour, Bruce Springsteen and the E Street Band added Cliff’s little-known “Trapped” to their live set; it achieved great prominence when included on 1985’s We Are the World benefit album. The follow-up, Cliff Hanger (1985) won a Grammy Award, though it was his last major success in the U.S. until 1993. He continued to sell well in Jamaica and, to a lesser extent, the UK, returning to the mainstream pop charts in the U.S. and elsewhere with a version of Johnny Nash’s “I Can See Clearly Now” on the Cool Runnings film soundtrack in 1993 .

In 2002, Cliff released his new album, Fantastic Plastic People in Europe, after first providing free downloads using Delacove’s People Music Media p2p software. This album featured collaborations with Joe Strummer, Annie Lennox, and Sting as well as new songs that were very reminiscent of Cliff’s original hits. In 2004 Cliff completely reworked the songs, dropping the traditional reggae in favor of an electronica sound, for inclusion in Black Magic.

His recording of ‘You Can Get It If You Really Want’ was used as a campaign anthem by the Sandinista National Liberation Front in the 1990 election in Nicaragua (they lost). It was also adopted by the British Conservative Party during their annual conference in October, 2007. It is unclear whether Mr Cliff endorsed either party. His official website is http://www.jimmycliff.com/

Research info gathered at: www.last.fm


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Thursday, April 3, 2008

Patti Page


Patti Page (born Clara Ann Fowler on November 8, 1927 in Claremore, Oklahoma) is one of the best-known female singers in traditional pop music. She is the best-selling female artist of the 1950s and was among the first to cross over from country music to pop. Her recording career spans the years 1947 to 1981. Page continues to perform live and was billed as "The Singing Rage, Miss Patti Page".

She was born into a large and poor family. Her father worked on the MKT railroad, while her mother and older sisters picked cotton. They went without electricity, so young Clara could not read after dark, as she related on TV many years later. Clara Ann Fowler became a featured singer on a 15-minute radio program on radio station KTUL, Tulsa, Oklahoma at age 18. The program was sponsored by the Page Milk Company; thus, young Clara Ann Fowler became Patti Page on the air. In 1946, Jack Rael, a saxophone player and band manager, came to Tulsa to do a one-nighter. He turned on the radio, and heard the musical program with the 18-year-old featured vocalist. He liked what he heard, and asked her to join the Jimmy Joy band, which Rael managed. Eventually, both left the band, and Rael became Patti's personal manager and leader of the backup orchestra for many of her recordings.

In 1947, she recorded a song called "Confess" which had a portion requiring one singer to answer another. (The other hit version involved a duet of Doris Day and Buddy Clark.) Because of a low budget, a second singer could not be hired, so Jack Rael suggested that Page sing the second part as well. The novelty of her doing two voices on one record possibly contributed to the song becoming a Top 20 hit for her.

"With My Eyes Wide Open I'm Dreaming" became another big hit for Page, her first to sell a million. Page's first number one hit was "All My Love". It was based on Maurice Ravel's "Bolero". "All My Love" was #1 for five weeks in 1950. Her bigest hit was "The Tennessee Waltz", which was also released in 1950. "The Tennessee Waltz" was #1 for thirteen weeks in 1950 and eventually sold more than 6,000,000 copies, making it the biggest charted Billboard hit of the entire decade. She had a huge hit in 1953, "(How Much Is) That Doggie in the Window?", a novelty song written by Bob Merrill, adapted from a well-known Victorian music hall song. Page recorded it in 1952, and it made #1 on the Billboard and Cash Box charts in 1953. To say that it was a major hit would be a tremendous understatement; it was almost constantly on the radio.

In 1963, Page left Mercury Records for Columbia Records, returning to Mercury in 1971. While at Columbia, she scored her most recent Top 10 pop hit in 1965 with the title song from the Bette Davis film Hush, Hush, Sweet Charlotte. In 1973, she went back to the Columbia again, recording for their Epic Records subsidiary.

She last appeared on the pop chart in 1968, with her version of O.C. Smith's hit, "Little Green Apples", and on the Adult Contemporary chart with "Give Him Love" in 1971. In 2007 Patti Page was inducted into the Hit Parade Hall of Fame. She continues recording to this day, with a new album debuting in 2008 from Curb Records and featuring a duet with Vince Gill on the song “Home Sweet Oklahoma.” Find out more at: http://www.misspattipage.com/

Research info gathered at: www.wikipedia.org


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